Summer Woods II (cyanotype paintingFRAMED to 36.5 × 29.5 × 2.75 inches)
FRAMED to 36.5 × 29.5 × 2.75 inches in a deep white wood box frame.
30 × 22.5” painting on pure cotton Arches cold press watercolor paper.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the plant and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny plants laid on top. If you look closely you may see a tiny flower or two.
FRAMED to 36.5 × 29.5 × 2.75 inches in a deep white wood box frame.
30 × 22.5” painting on pure cotton Arches cold press watercolor paper.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the plant and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny plants laid on top. If you look closely you may see a tiny flower or two.
FRAMED to 36.5 × 29.5 × 2.75 inches in a deep white wood box frame.
30 × 22.5” painting on pure cotton Arches cold press watercolor paper.
This is a combination of painting and a kind of alternative photographic process from the 1800s: cyanotype. I drew the plant and painted it in —not with ink or paint, but with light-sensitive photo emulsion.
The blue and white pattern seen in each leaf which resembles painted Delft pottery is really a sun print or cameraless photograph of tiny plants laid on top. If you look closely you may see a tiny flower or two.
