Blue Valley (original abstract cyanotype mounted on wood panel, 24 x 12 inches/ 60 x 30 cm)

$450.00
sold out

(cyanotype mounted on 1.5” deep wood panel, 24 x 12 inches/ 60 x 30 cm)

No need t o frame this. It’s ready to hang on the wall.

Though this monotype resembles an aquatint etching or watercolor painting, it is actually a form of photography called a cyanotype or sun print. With my years of experience in traditional printmaking, I often mimic printmaking effects when I use the cyanotype process . Instead of creating an image by blocking light with solid objects (such as plants) on the light-sensitive paper, I used water to block the light, creating subtle gradations of blue as I submerged the light-sensitive paper for carefully timed exposures under water.

ADD TO CART: Price already includes sales tax and free shipping within the United States

(cyanotype mounted on 1.5” deep wood panel, 24 x 12 inches/ 60 x 30 cm)

No need t o frame this. It’s ready to hang on the wall.

Though this monotype resembles an aquatint etching or watercolor painting, it is actually a form of photography called a cyanotype or sun print. With my years of experience in traditional printmaking, I often mimic printmaking effects when I use the cyanotype process . Instead of creating an image by blocking light with solid objects (such as plants) on the light-sensitive paper, I used water to block the light, creating subtle gradations of blue as I submerged the light-sensitive paper for carefully timed exposures under water.

(cyanotype mounted on 1.5” deep wood panel, 24 x 12 inches/ 60 x 30 cm)

No need t o frame this. It’s ready to hang on the wall.

Though this monotype resembles an aquatint etching or watercolor painting, it is actually a form of photography called a cyanotype or sun print. With my years of experience in traditional printmaking, I often mimic printmaking effects when I use the cyanotype process . Instead of creating an image by blocking light with solid objects (such as plants) on the light-sensitive paper, I used water to block the light, creating subtle gradations of blue as I submerged the light-sensitive paper for carefully timed exposures under water.

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