The Journey's End ( original hand-printed cyanotype FRAMED to 36 x 24")
20 × 30 inch original hand-printed cyanotype framed in a a 24 × 36 × 1 inch slim white metal frame.
This is a much larger hand-printed version of the same image using the antique cyanotype process from the 1800s. It is printed on cotton watercolor paper by hand like the others. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.
These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.
20 × 30 inch original hand-printed cyanotype framed in a a 24 × 36 × 1 inch slim white metal frame.
This is a much larger hand-printed version of the same image using the antique cyanotype process from the 1800s. It is printed on cotton watercolor paper by hand like the others. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.
These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.
20 × 30 inch original hand-printed cyanotype framed in a a 24 × 36 × 1 inch slim white metal frame.
This is a much larger hand-printed version of the same image using the antique cyanotype process from the 1800s. It is printed on cotton watercolor paper by hand like the others. All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.
These pines here are in the woods near my house across the bay from San Francisco. They are especially magical emerging from the fog on mornings like this one, which are quite frequent regardless of the season.